![]() ![]() ![]() The effects sends do nothing at the moment since Renoise maps effects differently based on order in the chain we will have to get back to this for universal support. Using the Views buttons you can change what you see on the screen to reflect your current workflow. The Mixer allows user to control the volumes, mutes, solos and pans for the first 10 tracks. This mean you have to switch it again to get visual sync. Keep in the mind renoise does not talk back to TOUCHOsc so if you set the record on one page and switch to another, chances are it wont still be lit. The transport contains Play, Stop, Record and Loop. A mini-transport is available on all pages with page specific controls (for instance, you can turn quantize on by pressing the Q button in the keyboard/pad pages) There are 4 pages Mixer, Keyboard, Pads, Sequencer. This is a custom iPad template for Renoise control using TOUCHOsc on an iPad. Tested on Renoise version 2.7.2 with iPad2. There is currently no PC version of osculator so for PC/Android folks, im open to suggestions or wait for the Duplex port? To use you must have Osculator ( ) running along with Renoise. (PM me the template you’ve written and I’ll see what I can do? Your profile said you can’t receive any more messages so here it is for yours and public consumption. What I was trying to accomplish seemed impossible without complex global lua programming along with an OSCulator learning curve (futile if we can do this in duplex.) I’ll finish up what I have and PM you so expect a. I’ve nixed the matrix pattern page and instead went with another midi note map trigger page. I imagine duplex would cancel at least a few of those steps out and the user would see a version of the template in the preview window. Programming the OSCulator side of things and mapping to renoise is pure tedium as well. Using OSCulator requires the corresponding template mappings loaded in, which in itself is an extra step on top of having to load in the custom renoise midi mappings. That’s cool danoise, hooking into duplex is probably the way to go here. This should give you some more flexibility than using osculator, as Duplex is using direct API calls instead of just the features which are currently MIDI mappable. I can help with that (PM me the template you’ve written and I’ll see what I can do? ). The alternative way would be to hook it into Duplex. You could work your way through each mapping, creating a small code snippet for each mapping (granted, a lot of work). The most direct way to link TouchOSC to Renoise would be through the GlobalOSCActions. Without using it, what would be your feedback on this template arrangement? Would you like to see a transport on every page instead of it’s own (for different live scenarios)? What should the matrix page do?Īnd lastly, is there value in using Duplex instead of osculator? Any feedback or help appreciated, I’ll make the template available if anyone wants in or once its ready for primetime. I’m using osculator to script the template and it’s capable of scripting things like auto value return on pitchbend so I’m confidant the matrix page can be dope on a rope (with enough scripting muting a track/pattern even 2 modes one for editing and one for sequencing is possible.) I’ve watched danoise’s videos and see it’s doing some cool stuff with patterns/track muting/etc but would like a specific breakdown of best practice for programming the behaviours. I’m fuzzy on what you launchpad users are doing with the launchpad. So far I have four pages Mixer (with 20 faders and master pans,solos,mutes), Keyboard (with enough keys for 4 octaves,pitchbend,modwheel,velocity and octave increment/decrement), Matrix (which I need help on), and Recording/Transport page. After searching for renoise templates for TouchOSC iPad to no avail I’ve decided to just create my own using “usurped” features from other templates and osculator as the bridge. ![]()
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